Kutlwano Monyai Available Art

  • Kutlwano Angela Monyai, Untitled 3, 2024
    Kutlwano Angela Monyai
    Untitled 3, 2024
    Retail plastic bags
    142 x 82 cm
    framed 157 x 102.5 x 7 cm
    Courtesy of Candice Berman Gallery
  • Kutlwano Angela Monyai, Untitled 2, 2024
    Kutlwano Angela Monyai
    Untitled 2, 2024
    Retail plastic bags
    66 x 50 cm
    framed 93 x 76 x 4cm
    Courtesy of Candice Berman Gallery
  • Kutlwano Angela Monyai, Lesedi (Light), 2024
    Kutlwano Angela Monyai
    Lesedi (Light), 2024
    Retail plastic bags
    138 x 83 cm
    framed 157 x 102.5 x 7 cm
    Images Courtesy of Candice Berman Gallery
  • Kutlwano Angela Monyai, Dimakatso (Surprises), 2024
    Kutlwano Angela Monyai
    Dimakatso (Surprises), 2024
    Retail plastic bags
    138 x 83 cm
    framed 157 x 102.5 x 7 cm
    Images Courtesy of Candice Berman Gallery
  • Kutlwano Angela Monyai, Ditebogo (Gratitude), 2024
    Kutlwano Angela Monyai
    Ditebogo (Gratitude), 2024
    Retail plastic bags
    138 x 83 cm
    framed 157 x 102.5 x 7 cm
    Images Courtesy of Candice Berman Gallery
  • Kutlwano Angela Monyai, Matla (Power), 2024
    Kutlwano Angela Monyai
    Matla (Power), 2024
    Retail plastic bags
    138 x 83 cm
    framed 157 x 102.5 x 7 cm
    Images Courtesy of Candice Berman Gallery
  • Kutlwano Angela Monyai, Blessed be the hands of our mothers, 2022
    Kutlwano Angela Monyai
    Blessed be the hands of our mothers, 2022
    Retail plastic bags
    150 x 250 x 10 cm
  • Kutlwano Angela Monyai, I have seen her strength IV, 2022
    Kutlwano Angela Monyai
    I have seen her strength IV, 2022
    Woven and braided plastic
    24 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength V, 2022
    Kutlwano Angela Monyai
    I have seen her strength V, 2022
    Woven and braided plastic
    24 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength III, 2022
    Kutlwano Angela Monyai
    I have seen her strength III, 2022
    Woven and braided plastic
    25 x 43 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength VI, 2022
    Kutlwano Angela Monyai
    I have seen her strength VI, 2022
    Woven and braided plastic
    24 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength II, 2022
    Kutlwano Angela Monyai
    I have seen her strength II, 2022
    Woven and braided plastic
    28 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength I, 2022
    Kutlwano Angela Monyai
    I have seen her strength I, 2022
    Woven and braided plastic
    24 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength VII, 2022
    Kutlwano Angela Monyai
    I have seen her strength VII, 2022
    Woven and braided plastic
    26 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, I have seen her strength VIII, 2022
    Kutlwano Angela Monyai
    I have seen her strength VIII, 2022
    Woven and braided plastic
    24 x 41 x 1 cm
    framed: 43 x 55.5 x 5.5 cm
  • Kutlwano Angela Monyai, All that protects, 2022
    Kutlwano Angela Monyai
    All that protects, 2022
    Woven and braided plastic
    31 x 114 x 2 cm
    framed: 45 x 127.5 x 7 cm
  • Kutlwano Angela Monyai, matters on the table., 2022
    Kutlwano Angela Monyai
    matters on the table., 2022
    Woven and braided plastic
    124 x 65 x 3 cm
    framed: 141 x 83 x 7 cm
  • Kutlwano Angela Monyai, Taba ke eng?, 2022
    Kutlwano Angela Monyai
    Taba ke eng?, 2022
    Woven and braided plastic
    40 x 118 x 2.5 cm
    framed: 53 x 133 x 7 cm
  • Kutlwano Angela Monyai, O bonolo, 2022
    Kutlwano Angela Monyai
    O bonolo, 2022
    Woven and braided plastic
    80 x 108 x 2.5 cm
    framed: 93 x 128 x 7 cm
  • Kutlwano Angela Monyai, a conversation with myself, 2022
    Kutlwano Angela Monyai
    a conversation with myself, 2022
    Woven and braided plastic
    135 x 48 x 1 cm
    framed: 150 x 63 x 7 cm
  • Kutlwano Angela Monyai, Gola (grow), 2022
    Kutlwano Angela Monyai
    Gola (grow), 2022
    Woven and braided plastic
    125 x 77 x 5.5 cm
    framed: 138 x 93 x 7 cm
  • Kutlwano Angela Monyai, legae la ma e kutlo ( home for your feelings), 2022
    Kutlwano Angela Monyai
    legae la ma e kutlo ( home for your feelings), 2022
    Woven and braided plastic
    117 x 56 x 1 cm
    framed: 135 x 73 x 7 cm
  • 'The processes of deconstructing patterns, mapping bodies and layering landscapes allows a further interpretation, a better understanding into land ownership...

     

     

     

    "The processes of deconstructing patterns, mapping bodies and layering landscapes allows a further interpretation, a better understanding into land ownership and spiritual connections, dream experiences, and traditional influences within a contemporary society."

  • Kutlwano Angela Monyai was born in Limpopo in 1996, and now lives and works in Johannesburg. She graduated with a degree and post-graduate diploma in Fine and Applied Arts from the Tshwane University of Technology.
     
    Monyai uses familiar materials that resonate with her life experiences, and has over the years mastered her style of painting and mixed material experiments, which germinated from her obsession with maps. Coming from a place where most people strongly believe in ancestral bondage, that is what has been the driving factor in her work. This bondage is aligned with physical, spiritual and emotional connections to places of birth, to those that people evolve to occupy and make their own.
     
    The inspiration for much of Monyai's work comes through as a form of communication through dreams, and the artist developed a practice of investigating the methodologies of dream interpretations, in order to better understand the complexities of human relations with their environment, cultural beliefs, and general human intuitions. It is a journey impacting the psychological paradigm, socio-conventional systems, and family dynamics. Monyai has claimed maps as a metaphorical site for her to investigate and interpret these elements of her life experiences, using the familiar materials to recognize and acknowledge the abstract relationships, to eventually be able to denote and narrate events through their space and time.