In contrast, the silkscreen edition offers a more restrained, flattened palette. While still visually engaging, the colours are comparatively muted and graphic, shifting the emotional tone from one of enveloping warmth to a cooler, more detached reflection. This change in intensity subtly alters the interpretive experience, underscoring the piece’s philosophical underpinnings, reminding the viewer of the tension between surface and depth, illusion and substance.
*A Film by Andrew Mogridge (Better Days, )
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