In Ross Passmoor's 2025 exhibition Impressions of the In-Between, he presents a meditative series of monotypes that evoke a quiet, tactile language of memory and materiality. Working with found objects, Passmoor prints directly onto canvas using a restrained palette of soft beiges and pale greens, tones that suggest erosion, softness, and transience. Each piece operates like a visual echo, capturing fleeting gestures and subtle textures that might otherwise go unnoticed in the rush of daily life.
The process of monotype, a singular printmaking method that resists replication, mirrors the fragility and uniqueness of the materials embedded within each composition. Bits of organic and industrial detritus become part of a quiet archaeology, their imprints suspended within veils of pigment and open space. Here, surface becomes story: an accumulation of marks, a soft trace of what was once held, handled, or discarded.
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